1. Kairos (el.seth) Mac Os 11
2. Kairos (el.seth) Mac Os X

Due to a sudden siege in the Sky Realm, Kairos, the goddess of chances, is forced to leave the Sanctuary and her brother, Chronos, the god of time. This causes the outbreak of monsters and create havoc in the flow of time.

In order to rescue Chronos and restore time, she has to find a way to solve the time crisis in Gaia.

On the other hand, Kainan is an amnesiac boy who found himself unable to remember anything. The only clue he has is a strange sword with strange powers.

(Note: Some choices will affect the ending, (but not in the early chapters) so save often!)

Kairos the moment where change is possible. Since 1977, we have sought to focus on each instant as providing an opportunity for a therapeutic intervention, a teachable moment. We collaborate with young people, families, and communities across Oregon to provide. The legendary strategy card game is now available on PC, Mac, Android, and iOS. Download MTG Arena to find out about upcoming events and game updates. The interface is class-compliant on Mac OS X – and drivers are available for Windows systems. Either way, it will be recognized straightaway by any DAW supporting ASIO or Core Audio, including Logic, Cubase, Reaper, and Pro Tools. Kairos multi jaya. June 30, 2015 at 6:54 am.

Well, that's enough spoilers. Hope you enjoy the game!

(Feel free to ask questions as there are some tricky parts and riddles)

Game controls:

- Press 'x' for menu or right click. In the menu you can change the formation, game controls, view status, items, equipments, and save.

- Use the arrows to move.

- There are fighting scenes so good luck with that.

Install instructions

Note: for Mac, you might need to go to system preferences and allow the app to be installed.

Download

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Hello I played v4 of this game of yours, it was fun I enjoyed your story a lot. There was a lot of thought put in your characters and it really shines out here.

Hi Boos405! Thank you so much for playing KAIROS and for leaving a comment! I'm glad you enjoyed it! :)

It looks like my Special attacks use both MP and TP instead of just TP. Is that your intention?

Also, the Wind Talisman looks like an accessory that's also supposed to be a shield, but it can't be equipped as either by anyone in Al' Sharan.

I finished the game; I really liked it!

Uh, a few thoughts:

Kairos (el.seth) Mac Os 11

In the first forest, I had to flee a lot even though I'd ground my character to level 8. That one set of bad guys that was three enemies was too much for me.

I wish there'd been more shops in Chapters 2 and 3; I ended up with a ton of currency from grinding through the dungeons, but I had nowhere to spend it between battles.

Hi Batshua,

Thanks for playing and I'm really sorry for the mistakes...

Yes- the forest part was a bit too difficult, wasn't it? Even I had trouble in defeating them (haha)- sorry for the difficulty and thank you for telling.

And yeah- I noticed the Wind Talisman couldn't be equipped. (But I procrastinated and end up forgetting to correct it) Sorry!

As for the MP and TP, actually, the TP is never really used in battles- the special attacks don't require TP. I want to disable it, but I don't know how so I just let it be. (The power of laziness!)

Thanks a lot for playing! I'll make sure to take note of these mistakes and correct it! (and yes, I should add more shops too)

If you update this game, I would totally play it again! It's long enough that it's not a disappointment, with a great plot and a bunch of cool playable characters.

For a free RPGmaker game, that's … actually pretty awesome. (I play a lot of free ones and sometimes there's no plot, or only one battle, or the writing is terrible, or… you get the idea.)

I would also beta test if you want to make a major change and have someone else check it out. :)

Hi Batshua,

Thanks for the comment and once again, thank you so much for playing! (I seriously thought no one would play it) I'm glad to know that this game made you happy.

Thank you for volunteering, but I don't think I'm going to update it any sooner (I'm kind of drowning in schoolwork. Haha.) But I'll make sure to tell you when I update it! (Impatiently waiting for holidays...)

Thanks again, and good luck for life, bruh.

ALLEN & HEATH QU-32

With its responsive touchscreen, 33 motor faders and acclaimed AnalogiQTM recallable preamps, Qu-32 combines exceptional ease of use with class-leading audio performance.

Drawing on the technologies and workflow pioneered on our GLD and iLive touring systems, Qu makes Allen & Heath digital mixing more accessible than ever.

Kairos (el.seth) Mac Os X

• 32 Mic / Line Inputs (TRS + XLR)
• 33 Motor Faders
• 3 Stereo Inputs (TRS)
• 24 Mix Outputs (XLR)
• 4 Stereo Groups
• 2 Stereo Matrix Outs
• 4 DCA Groups
• 4 Mute Groups
• 4 FX Engines
• 4 FX Sends / Returns
• 10 Soft Keys
• 32×32 USB Audio Interface
• DAW MIDI Control
• AES Digital Out
• Recallable AnaLOGIQTM Preamps
• Qu-Drive direct Multitrack Recording / Playback on USB drives
• 7” Touchscreen
• iLive FX Library
• dSNAKETM Remote Audio Port
• Compatible with ME Personal Mixing System
• Qu-Pad iPad App
• Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs
• Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
• Built-in Signal Generator
• RTA with Peak Band indication

ANALOGIQTM PREAMPS

Our AnalogiQ total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class, low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQ design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.

THE MIXING EXPERIENCE

Having massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat. Once you start using a Qu you’ll sense the years of research into ergonomics and the hands-on mixing experience that our team has drawn upon to deliver a wonderfully natural layout and workflow. It’s not about recreating an analogue interface, it’s about creating an experience that’s fluid, comfortable and intuitive for novices, digital natives and old school road warriors alike, making all the benefits of digital mixing technology readily accessible to all.

TOUCH CONTROL

Qu-32’s 7 inch, 800 x 480, sixteen million colour Touchscreen and its dedicated data encoder form the heart of the Qu interface, providing super-fast, easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.

THE SUPERSTRIP

All your key processing tools are presented in a clean layout on the SuperStrip, with 1 function per physical control. The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures. Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4 band PEQ, compressor and delay. The main LR and the Mono mixes have controls for Insert, 1/3 octave GEQ, compressor and delay. The Stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control.

FADER AUTOMATION

Moving faders started as an expensive option in the studio desks of the 80s, and later became the norm with the advent of digital technology. Nevertheless some entry-level digital mixers lack this precious commodity which is a fundamental part of the Total Recall approach. Fader automation is essential for rapid mixing, especially when you’re dealing with multiple monitor mixes – just press a mix key and the faders immediately fly to the send levels for that mix.
Qu-16, Qu-24 and Qu-32 feature 16, 24 and 32 motorized ALPS faders respectively, arranged over 2 layers, allowing instant access to all channels and masters in a compact space, plus a dedicated master fader which dynamically follows the mix selection. A third, Custom layer is available for ad-hoc user strip layout, where any combination of Inputs, FX Sends, FX Returns, Mix masters and MIDI strips can be assigned.

ILIVE FX

Qu’s dynamics and FX algorithms are derived from the FX used in our iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference to top-end plug-ins and external FX units. All Qu models boast 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more.

The FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.

TOTAL RECALL

True digital mixing is about being able to save and recall scenes (snapshots) at the press of a button. Qu can store up to 100 full Scenes for recall at will. Channels and mixes can be made Safe from Scene recall. For example, if an instrument or mic gets swapped out after the soundcheck, the channel can be made safe to avoid settings being overridden by Scene recalls. Or if a broadcast feed or walk-in iPod is added last-minute before the show kicks off, that mix or channel can be made safe from any scene change. In addition, single parameter updates can be blocked using a Recall Filter. So if you tweak the graphic EQ to reflect the room response when the audience gets in, you can block this to prevent any overwriting at scene change.

Custom settings for each EQ, compressor or channel can be saved as Library presets. This lets you store your tried and tested setting for your favourite vocal mic or reverb pattern and apply it to other channels or shows. Libraries, Scenes and the complete Show configuration can be saved to a USB key, so you can carry the show with you, ready to use on another Qu mixer.

USB AUDIO STREAMING

Qu’s built-in interface streams multitrack audio to your Mac or PC via a flexible patching system: all Input channels and the Main LR can be recorded at the same time, or you may choose to record something different such as FX returns or a pair of mixes.

The returns from the computer can be assigned to the Input channels. The interface is class-compliant on Mac OS X – and drivers are available for Windows systems. Either way, it will be recognized straightaway by any DAW supporting ASIO or Core Audio, including Logic, Cubase, Reaper, and Pro Tools.

QU-DRIVE

Forget soundcard drivers and software setup, Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB hard drive. Capturing multitrack recordings of your shows has never been so easy. Mixes and FX returns can be recorded alongside channels, and multitrack audio can be played back to the mixer for virtual sound-checks.

An independent set of controls is provided for quick stereo recording of the main LR or other mix outputs, and a 2-track USB return can be routed to ST3 for playback of stereo WAV files such as walk-in music.

ARMED TO THE HILT

Qu mixers are equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording / playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response.

The mixer’s DSP farm exploits next generation dual core DSPs. With plenty of DSP power under the hood the channel processing is only using a fraction of capacity, so Qu is future-proofed, with ample room for updates and extra functionality.

The DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.

THE SHAPE OF THINGS TO COME

Made from 18 gauge, cold-rolled Zintec steel, Qu’s distinctive frame is designed for strength and rigidity. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander.

Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by the whirring of fans coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.

The shape has some unexpected benefits too. When we started taking Qu out to gigs we soon found the space beneath it incredibly useful for keeping our USB drive, talkback mic, cue sheet and other clutter tucked out of the way. We’ve even had engineers hanging the mixer from a handy scaffold bar and mixing vertically.

QU-PAD

Add the Qu-Pad iPad app to your Qu setup and you’re free to adjust the monitors on stage, roam around the venue whilst tweaking the PA, and then mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi* and gives instant access to all live mixing parameters and settings.

*Requires the connection of a Wi-Fi router or access point to the Qu Network port.

ME PERSONAL MIXING SYSTEM

Qu mixers are fully compatible with our ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKE port (or from an AR2412 / AB168 AudioRack if you’ve got one connected to the dSNAKE port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience.

DSNAKETM

Qu mixers are self-contained, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu’s dSNAKE port has you future-proofed, allowing connection to a combination of AR2412, AR84 or portable AB168 AudioRacks.

dSNAKE is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390’. So if you’re mixing FoH you can place your I/O on the stage and run a single Cat5 cable back to the Qu mixer in the mix position.

SOFTKEYS

Qu-32 packs 10 SoftKeys for more user-assignable functions such as Mute Groups, Tap Tempo, Scene navigation or PAFL Clear.

THE MATRIX

Qu-32’s Matrix has 2 further stereo outputs equipped with full processing to the console’s extensive I/O. It is a ‘mixer within a mixer,’ fed from any combination of Group 1-4, Mix 1-10, and main LR. It can be used to provide a broadcast feed, a recording mix, or duplicate the main outputs for delay stacks and fill / zone speakers where independent GEQ and delay is applied.

ACCESSORIES

• AH9650 – 100m drum of Neutrik EtherFlex Cat5 with locking connector.
• AH9651 – 20m Neutrik EtherFlex Cat5 with locking connector.
• LEDLamp – Variable brightness 18” gooseneck lamp.
• AP9639 – Dust cover for Qu-32.